Lorton Prison Reformed Into Arts Center
Workhouse to Feature Studios, Galleries, Performance Space
Excerpt from Washington Post Article By Annie Gowen
Washington Post Staff Writer
Thursday, August 23, 2007
On a recent day as the sun blazed, a construction crew at the new arts center in Lorton drove a bulldozer straight toward one of the most visible reminders of this site's past: a forbidding fence that penned in prisoners when the buildings were part of the sprawling D.C. Correctional Facility.
For more than five years, a private arts foundation has worked to transform the prison's old workhouse off Ox Road into a gleaming arts center with studios, galleries and performance space. The $26 million Workhouse Arts Center will officially open next year, but in the coming weeks residents will glimpse the first major activity there since the foundation's members leased the property from Fairfax County last year.
The center has launched a schedule of painting, drawing and yoga classes in a borrowed space at a nearby shopping center; students and teachers will likely move into renovated classrooms on the 55-acre site later this fall. On Sept. 28, a black-tie fundraising gala will feature a performance by dancer Mikhail Baryshnikov, an early supporter.
"This is an opening celebration to cultivate people and show them this is what we're doing, and this is the level of quality for both emerging artists and professionals they can expect here," said Tina Leone, the foundation's executive officer.
The center is the second major public amenity to open at the former Lorton penal complex, which sprawled over more than 2,000 acres in southeastern Fairfax County and housed thousands of offenders before it was shuttered in 2001.
Since that time, the county's Park Authority has taken responsibility for most of that land, building a golf course, which has a waiting list for memberships. Park officials also hope to partner with private groups to build a sportsplex and barn for riding lessons. The arts center will be in brick buildings that used to house lower-risk prisoners, called the Occoquan Workhouse. The county has yet to find a developer for the most visually prominent acreage, the land on which the penitentiary building and looming watchtower still sits.
"When we first started, we thought we were entering a depressed area. There weren't any houses out here at all," said Sharon Mason, the Workhouse Arts Center's executive arts director. "Now new homes nearby are selling from $1 to $2 million. We're taking a look at our programming with the mindset of . . . what does this community want?"
Responding to what they hear, they are planning more dance performances and children's classes to attract some of the neighborhood's newer families, Mason said.
The arts center will likely be one of the most high-profile amenities in Laurel Hill, where organizers envision not just studio spaces for artists but also two restaurants, a theater, an event center, music programming in a nearby barn, a museum and lofts where artists can live and work.
Many of those features are in the distant future, organizers say. For now, the Lorton Arts Foundation is finishing construction of the 10 brick buildings that will be artists' studios, office space and the exhibit gallery.
The gala will be in a former prison gym, where organizers dream of adding heating and air-conditioning and theater seats. For now the digs will remain rustic, although a dance floor was bought to protect Baryshnikov's toes.
Leone said that the foundation's goal is to be self-sustaining and that fundraising and fees from classes and programming would cover the bulk of the debt service on the $26 million bond, as well as operating costs.
Officials expect about 150,000 visitors in early years. In contrast, the Torpedo Factory Art Center in Alexandria, which sits on a spot well-trafficked by tourists, draws 500,000 yearly visitors.
The market might be there, and there is room for growth in Fairfax County, where the arts are a $77.5 million industry, according to a recent study by Americans for the Arts, a nonprofit advocacy group. Nationally, the average for communities with populations of more than a million is $267 million.
Jim Steele, a board member of the Arts Council of Fairfax County, said the southeastern end of the county has been underserved for a long time. The demand for reasonably priced studio and exhibit space in Northern Virginia remains high, he said. The Torpedo Factory has a long waiting list of artists wanting studio space.
The Workhouse recently launched its search for applications for 60 artists, whose work must be approved by a jury before they can rent space in the new center.
Watercolor artist Karen Ching, who lives a few minutes away in Fairfax Station, hopes to be one of them. When she and her family first moved to the area, she said, Lorton still housed prisoners.
Through the years she has watched the evolution of the area, from the golf course, to South County Secondary School to the arts center.
"It's amazing that much can happen in that amount of time," Ching said. "I feel fortunate we chose this end of town."
A Colorful Summer
Two new exhibits bring color, variety to area gallery
Excerpt from The Connection Article By Megan McDonough
Connection Staff Writer
August 9, 2007
For artist Karen K. Ching art is more than a replication; it is about recreating the vision. Ching, a resident of Fairfax Station, presents her impressionistic styled paintings at The Vienna Arts Center this month. Her collection entitled, “Spring into Summer,” features paintings focusing on landscapes, seascapes and gardens.
Ching’s paintings are created using watercolor and large contemporary acrylics on canvas. Ching finds nature especially inspiring. “I just enjoy painting what I see,” she said. “Once I look at the image I’m interested in, the painting takes on its own life through color and balance.”
Many of Ching’s paintings are of places in Hawaii, Germany and her garden at home. Using blues, purples and browns, she hopes to make people feel relaxed and happy as they look at her artwork. “These are seasonal things, but you should be able to enjoy that feeling all year, Ching said about her collection. “I love to be surrounded by my ocean paintings, and my flower paintings because that’s who I am.”
Another important goal for Ching is having the viewer feel personally connected to the painting. “The interesting thing is, with titling paintings, I try to be very generic,” Ching explained. “One of the things I like about impressionism is that it gives you the opportunity as the viewer to take the painting where you now want to take it.”
Evoking positive memories and emotions from her viewers is an exciting part of Ching’s job. “When people are attracted to the pictures, they’re not attracted to my experience with it. They have their own experience that they can relate to.”
Originally from Baltimore, Ching took private art lessons as a child. She later graduated from James Madison University with degrees in Business and Art. Ching now paints full time. Several of her paintings hang in private collections in both the United States and Germany.
Ching is very committed to art in her local community, choosing to participate in the Artist’s Palette Project to raise funds for the Lorton Arts’ Foundation. She has also been a devoted member of the Loft Gallery in Occoquan since 2001, a member of the Springfield Art Guild, the Vienna Arts Society, and the Arts Council of Fairfax County.
Karen is looking forward to traveling to France, where she plans to gain inspiration for her next feature, entitled “The French Countryside” opening in November 2007.